A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina 70
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
... become emo- tional they must become parts of an inclusive and enduring situation that involves concern for objects and their issues . The jump of fright becomes emotional fear when there is 70 REALITY AND IMAGINATION.
Pagina 254
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
... become by definition the vanishing points of lines , and lines the vanishing points or disappearing boundaries between intersecting planes . Space and time have become purely formal as we have realized their abstractness in systematic ...
Pagina 441
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when ...
... become indignant or shout . . . . Our most deeply rooted and indubitable convictions are always the most suspicious ... becomes widened , it undulates elasti- cally almost to the rhythm of our respiration . On the other hand , when ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words