A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 140
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
... called " eccentric , " that seem to stand in marked con- tradiction to the typical daydream ; in these the person introduced as the hero plays the least active part of any- one , and seems instead to let the actions and sufferings of ...
Pagina 246
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
... called the connexity of the relation . A relation is said to have connexity when between any two elements of the field whatever this relation holds . Now all sounds have pitch , and every distinct pitch is either above or below any ...
Pagina 450
... called folk - art with startling realism created such well - known statues as the " Scribe " or the " Country Judge , " the true art , falsely called " court art , " showed a strict style which departed from all realism . That here ...
... called folk - art with startling realism created such well - known statues as the " Scribe " or the " Country Judge , " the true art , falsely called " court art , " showed a strict style which departed from all realism . That here ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words