A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina 388
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
... causes of subsequent effects . Description and explanation are thus assumed to cover the whole ground of physical and psychological researches , and if all is described in its ele- ments and explained by its causes , we then know the ...
Pagina 399
... causes for effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever prom ...
... causes for effects , cannot be expected to have in later life other than practical interests and must lack that repose which gives the only complete satisfaction , that repose which a mere restless striving for practical ends ever prom ...
Pagina 418
... causes can be pronounced almost a priori to be false . Foremost among such causes which have contributed to the formation of an idealistic Art appears to stand the subordination of Art to some extraneous purpose of an impressive ...
... causes can be pronounced almost a priori to be false . Foremost among such causes which have contributed to the formation of an idealistic Art appears to stand the subordination of Art to some extraneous purpose of an impressive ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words