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Pagina 121
unique than the character of Hamlet. Though he may resemble other men in
some respects, it is clearly not on that account that he interests us most. But he is
universally accepted and regarded as a living character. In this sense only is he ...
unique than the character of Hamlet. Though he may resemble other men in
some respects, it is clearly not on that account that he interests us most. But he is
universally accepted and regarded as a living character. In this sense only is he ...
Pagina 122
even when a character comedy has a proper noun as its title, this proper noun is
speedily swept away, by the very weight of its contents, into the stream of
common nouns. We say "a Tartuffe," but we should never say "a Phedre" or "a
Polyeucte ...
even when a character comedy has a proper noun as its title, this proper noun is
speedily swept away, by the very weight of its contents, into the stream of
common nouns. We say "a Tartuffe," but we should never say "a Phedre" or "a
Polyeucte ...
Pagina 406
In giving preference therefore to the term "impersonal" to describe the relation
between the spectator and a work of Art, it is to be noticed that it is not impersonal
in the sense in which we speak of the "impersonal" character of Science, ...
In giving preference therefore to the term "impersonal" to describe the relation
between the spectator and a work of Art, it is to be noticed that it is not impersonal
in the sense in which we speak of the "impersonal" character of Science, ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |