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Pagina 31
Color is the superficial aspect of form. Nevertheless, color has a very important
part to play in art, because it has a very direct effect on our senses. The range of
colors, indeed, might be placed in a series to correspond with the range of our ...
Color is the superficial aspect of form. Nevertheless, color has a very important
part to play in art, because it has a very direct effect on our senses. The range of
colors, indeed, might be placed in a series to correspond with the range of our ...
Pagina 32
esthetic relation to color is simply this: that we enter intuitively into the nature of
the color, appreciate its depth, or warmth, or tonality— that is to say, its objective
qualities —and then proceed to identify these qualities with our emotions.4 ...
esthetic relation to color is simply this: that we enter intuitively into the nature of
the color, appreciate its depth, or warmth, or tonality— that is to say, its objective
qualities —and then proceed to identify these qualities with our emotions.4 ...
Pagina 251
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme, and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen. But it
will be clear ...
For all that we wish to establish is that every color variation is to be found
somewhere in the scheme, and that therefore every color variation lies at a
determinately felt distance from others along any single dimension chosen. But it
will be clear ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |