A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxxvi
... common life , the common man is frequently most keenly aware of it . The masses , on the other hand , too often lack the capacity to appreciate difficult art , or to separate the specific factor , the personal and original component ...
... common life , the common man is frequently most keenly aware of it . The masses , on the other hand , too often lack the capacity to appreciate difficult art , or to separate the specific factor , the personal and original component ...
Pagina 437
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
... common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at cross purposes . Already it was taught by our good old Aristotle that dif- ferent things are differentiated by ...
Pagina 506
... common sense definition , referred to in the first lecture . And the field of humanly intuited qualities of events ... common sense . As objects and experiences com- monly denoted as beautiful or esthetic these may be taken as the common ...
... common sense definition , referred to in the first lecture . And the field of humanly intuited qualities of events ... common sense . As objects and experiences com- monly denoted as beautiful or esthetic these may be taken as the common ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words