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Pagina xxxvi
It is safest to heed what both the connoisseurs and the generality believe since each group has certain virtues and limitations . The cultivated too often lack any deep foundation in the common life , and consequently their judgments ...
It is safest to heed what both the connoisseurs and the generality believe since each group has certain virtues and limitations . The cultivated too often lack any deep foundation in the common life , and consequently their judgments ...
Pagina 437
But this emphasis on what is different and specific will become empty , if we fail to determine beforehand the common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at ...
But this emphasis on what is different and specific will become empty , if we fail to determine beforehand the common background which affirms itself in all these works , in such various ways , indeed , that at times they are even at ...
Pagina 506
To deny that these are works of art or objects of beauty would be regarded by most men as contrary to common sense . As objects and experiences commonly denoted as beautiful or esthetic these may be taken as the common ostensive ...
To deny that these are works of art or objects of beauty would be regarded by most men as contrary to common sense . As objects and experiences commonly denoted as beautiful or esthetic these may be taken as the common ostensive ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |