A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 82
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodi- ment imposes a handicap . Nevertheless , they too are obliged to think ...
... complete their idea before its translation into a complete object of perception takes place . Inability to build up simultaneously the idea and its objective embodi- ment imposes a handicap . Nevertheless , they too are obliged to think ...
Pagina 83
An Anthology Melvin Miller Rader. of , a complete experience , rendering it more intensely and concentratedly felt . It is not so easy in the case of the ... complete the new picture that is forming . Recognition is too JOHN DEWEY 83.
An Anthology Melvin Miller Rader. of , a complete experience , rendering it more intensely and concentratedly felt . It is not so easy in the case of the ... complete the new picture that is forming . Recognition is too JOHN DEWEY 83.
Pagina 241
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
... complete without minds , but minds , again , are not complete with- out things ; not any more , we might say , than minds are complete without bodies . Our resources in the way of sensation , and our experiences in the way of ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words