A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 90
... conception . Value : the true ; disvalue : the false . 2. Doing , or Practical Activity ( a ) “ Economics , " the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends ...
... conception . Value : the true ; disvalue : the false . 2. Doing , or Practical Activity ( a ) “ Economics , " the pursuit of individual ends . Value : the useful ; disvalue , the harmful . ( b ) Ethics , the pursuit of universal ends ...
Pagina 218
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
... conception of the structure of objects lead us gradually to reduce the qualities of the object to a minimum , and to ... conceive to belong to real objects are for the most part images of sight and touch . One of the first classes of ...
Pagina 362
... conception of balance of unlike parts . * With this richer conception in mind , we can understand Compare Ethel Puffer , " Studies in Symmetry , " Harvard Psycholo- gical Studies , vol . I , 1902 . the balance - as in Bruegel's ...
... conception of balance of unlike parts . * With this richer conception in mind , we can understand Compare Ethel Puffer , " Studies in Symmetry , " Harvard Psycholo- gical Studies , vol . I , 1902 . the balance - as in Bruegel's ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words