A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 161
... concerned . Yet exactly the same relation holds between the scientist and his hypothesis ( equivalent of the art - work ) and the rational conscious- ness , that consciousness which springs directly from the perception . Since the ...
... concerned . Yet exactly the same relation holds between the scientist and his hypothesis ( equivalent of the art - work ) and the rational conscious- ness , that consciousness which springs directly from the perception . Since the ...
Pagina 308
... concerned with the same world with which science and technology are concerned . It is for this reason that esthetic discourse can often be given a paraphrase in scientific discourse , as in the prose restate- ment of the content of a ...
... concerned with the same world with which science and technology are concerned . It is for this reason that esthetic discourse can often be given a paraphrase in scientific discourse , as in the prose restate- ment of the content of a ...
Pagina 486
... concerned . For instance , if I say that by " green " I mean something which I actually point to , and another person accepts my use of the word , all that we then know is that we call by the same name whatever color we each perceive in ...
... concerned . For instance , if I say that by " green " I mean something which I actually point to , and another person accepts my use of the word , all that we then know is that we call by the same name whatever color we each perceive in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words