A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina xxi
... concrete terms , and hence must be concretely appreciated . The qualities of the object must be appre- hended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked because of some such concrete ...
... concrete terms , and hence must be concretely appreciated . The qualities of the object must be appre- hended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked because of some such concrete ...
Pagina xxxv
... concrete qualities , and in which man's taste controls that show so as to express his sense of values . Thus art is as wide in its province as the contextualists assert ; yet , as the concrete expression of values , it is not to be ...
... concrete qualities , and in which man's taste controls that show so as to express his sense of values . Thus art is as wide in its province as the contextualists assert ; yet , as the concrete expression of values , it is not to be ...
Pagina 253
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface cannot remain merely ...
... concrete content are themselves structural . Like pitch , time , whatever else it may be , is an order . That space is an order we all realize from an elementary acquaintance with geometry . Two lines on a surface cannot remain merely ...
Sommario
Reality and Imagination | 3 |
Having an Experience From Art as | 62 |
Intuition | 89 |
Copyright | |
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Parole e frasi comuni
abstract action activity ANDREW CECIL BRADLEY appear appreciation Aristotle artist aspect attitudes balance beauty become BENEDETTO CROCE called character CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition judgments kind knowledge language latent content live manifest content material means Melvin Rader ment merely mind moral nature object organization ourselves painting perceived perception person phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry present principle produce psychological pure relation rhythm rience ROGER FRY scientific sensations sense sensuous social soul sound spatial super-ego theory things thought tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words