A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 160
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is really ...
... conscious subject . This consciousness is contradicted by my experience — that is , I have a new personal experience , something not given in the social world of poetry . Therefore I desire what is called self - expression but is really ...
Pagina 161
... consciousness will be changed because I have , through the medium of the art world , forced my life experience , new , dumb , and unformulated , to become conscious , to enter my conscious sphere . That is the adaptative aspect of my ...
... consciousness will be changed because I have , through the medium of the art world , forced my life experience , new , dumb , and unformulated , to become conscious , to enter my conscious sphere . That is the adaptative aspect of my ...
Pagina 196
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
... consciousness were absent altogether , all value and excellence would be gone . So that for the existence of good in any form it is not merely consciousness but emotional consciousness that is needed . Observation will not do ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words