Dall'interno del libro
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Pagina 160
I, the artist, have a certain consciousness, molded by my social world. As artist I
am concerned with my artistic consciousness, represented by the direct and
indirect effect on me of all the art I have felt, and all the emotional organization
which ...
I, the artist, have a certain consciousness, molded by my social world. As artist I
am concerned with my artistic consciousness, represented by the direct and
indirect effect on me of all the art I have felt, and all the emotional organization
which ...
Pagina 161
But also my consciousness will be changed because I have, through the medium
of the art world, forced my life experience, new, dumb, and unformulated, to
become conscious, to enter my conscious sphere. That is the adaptative aspect
of ...
But also my consciousness will be changed because I have, through the medium
of the art world, forced my life experience, new, dumb, and unformulated, to
become conscious, to enter my conscious sphere. That is the adaptative aspect
of ...
Pagina 196
In removing consciousness, we have removed the possibility of worth. But it is not
only in the absence of all consciousness that value would be removed from the
world; by a less violent abstraction from the totality of human experience, we ...
In removing consciousness, we have removed the possibility of worth. But it is not
only in the absence of all consciousness that value would be removed from the
world; by a less violent abstraction from the totality of human experience, we ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |