A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 186
... consider it as a means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech ...
... consider it as a means to pleasure , and to consider it as one of the conditions of human life . View- ing it in this way , we cannot fail to observe that art is one of the means of intercourse between man and man . Speech ...
Pagina 477
... consider a work of art stylistically we ask : To what extent does it express the individual outlook of its author and thus resemble his other creative compositions ? In what ways does it mani- fest the generic traits and express the ...
... consider a work of art stylistically we ask : To what extent does it express the individual outlook of its author and thus resemble his other creative compositions ? In what ways does it mani- fest the generic traits and express the ...
Pagina 518
... consider whether the artist has made the most of his emotional material , or has gone beyond the limits of esthetic endurance and destroyed esthetic distance . He will show the relation of the work to its social context . He will consider ...
... consider whether the artist has made the most of his emotional material , or has gone beyond the limits of esthetic endurance and destroyed esthetic distance . He will show the relation of the work to its social context . He will consider ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words