A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxx
... contextualist , or isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized .
... contextualist , or isolationist , or as medi- ating between the two . Both the isolationist and the contextualist interpretations have their dangers . Isolationism tends to make art irre- sponsible , precious , and dehumanized .
Pagina xxxii
... contextualist approach is imperative . I regard this as a pseudo resolution of the conflict . The contextualist is not merely asserting the banal and obviously true proposition that art is often entangled with other forms of culture and ...
... contextualist approach is imperative . I regard this as a pseudo resolution of the conflict . The contextualist is not merely asserting the banal and obviously true proposition that art is often entangled with other forms of culture and ...
Pagina 522
... contextualist admits . And I believe that the capacity of a great work of art to be appreciated exists as long as ... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take ...
... contextualist admits . And I believe that the capacity of a great work of art to be appreciated exists as long as ... contextualist has given us an empirical basis for this belief . But even if the contextualist does not care to take ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words