A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 75
Pagina xxi
... course , must be valued in concrete terms , and hence must be concretely appreciated . The qualities of the object must be appre- hended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked ...
... course , must be valued in concrete terms , and hence must be concretely appreciated . The qualities of the object must be appre- hended as , for example , gay , sad , horrible , sublime , or demonic ; they must be liked or disliked ...
Pagina 163
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
... course normality in consciousness is as rare as normality in vision , and , unlike the latter , it is not a fixed physical standard but one which varies from year to year . More- over his normality is , so to speak , the norm of ...
Pagina 460
... course we all know that , objects the Reader , and of course no- body imagines that the rock and the earth of the moun- tain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if ...
... course we all know that , objects the Reader , and of course no- body imagines that the rock and the earth of the moun- tain is rising , or that the mountain is getting up or growing taller ! All we mean is that the mountain looks as if ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words