Dall'interno del libro
Risultati 1-3 di 71
Pagina xxi
The content , of course , must be valued in concrete terms , and hence must be
concretely appreciated . The qualities of the object must be apprehended as , for
example , gay , sad , horrible , sublime , or demonic ; they must be liked or
disliked ...
The content , of course , must be valued in concrete terms , and hence must be
concretely appreciated . The qualities of the object must be apprehended as , for
example , gay , sad , horrible , sublime , or demonic ; they must be liked or
disliked ...
Pagina 23
Generally , of course , they are the conditions which give our senses the most
pleasure , and by that we mean the conditions which give pleasure , not only to
one sense at a time , but also to two or more senses working together , and finally
to ...
Generally , of course , they are the conditions which give our senses the most
pleasure , and by that we mean the conditions which give pleasure , not only to
one sense at a time , but also to two or more senses working together , and finally
to ...
Pagina 460
Of course we all know that , objects the Reader , and of course nobody imagines
that the rock and the earth of the mountain is rising , or that the mountain is
getting up or growing taller ! All we mean is that the mountain looks as if it were
rising .
Of course we all know that , objects the Reader , and of course nobody imagines
that the rock and the earth of the mountain is rising , or that the mountain is
getting up or growing taller ! All we mean is that the mountain looks as if it were
rising .
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |