A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 68
Pagina xxxiii
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
... created or elaborated in the very act of creation . What distinguishes an artist from an ordinary person is very largely his ability to imagine some new concrete variation of the old abstract theme . About two thirds of the poems in the ...
Pagina 473
... creation of a work of art in all its indi- viduality is essential to both historical and judicial criticism . It ... created . Appraisal cannot be based on rules or principles permitting of a purely mechanical application . We must ...
... creation of a work of art in all its indi- viduality is essential to both historical and judicial criticism . It ... created . Appraisal cannot be based on rules or principles permitting of a purely mechanical application . We must ...
Pagina 481
... creating an ob- ject adequately embodying his feeling . The test of the success of his attempt at objectification . . is whether the object created does , in contemplation , mirror back the feeling which he attempted to express . What ...
... creating an ob- ject adequately embodying his feeling . The test of the success of his attempt at objectification . . is whether the object created does , in contemplation , mirror back the feeling which he attempted to express . What ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words