A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 474
... critic can afford to be entirely deficient in any one of these three respects . But critics tend , as the result of temperament and training , to be predominantly historical , re - creative , or judicial in their basic approach to works ...
... critic can afford to be entirely deficient in any one of these three respects . But critics tend , as the result of temperament and training , to be predominantly historical , re - creative , or judicial in their basic approach to works ...
Pagina 501
... critic's taste . But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of ...
... critic's taste . But the relevance or importance , if not the truth , of any judgment of mediate value , is a matter of the individual critic's taste or consti- tution , since for any such critic that relevance depends on a judgment of ...
Pagina 518
... critics are required in each age to register the esthetic judgments of that age . We can already see what is expected of the critic on the contextualistic view . He is to judge the degree of realiza- tion of experience achieved by an ...
... critics are required in each age to register the esthetic judgments of that age . We can already see what is expected of the critic on the contextualistic view . He is to judge the degree of realiza- tion of experience achieved by an ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words