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Pagina 466
Criticism i. THEODORE MEYER GREENE: The Nature and Criteria of Criticism.
From The Arts and the Art of Criticism. 1. CURT JOHN DUCASSE: Standards of
Criticism. From The Philosophy of Art. j. STEPHEN C. PEPPER: Contextualistic ...
Criticism i. THEODORE MEYER GREENE: The Nature and Criteria of Criticism.
From The Arts and the Art of Criticism. 1. CURT JOHN DUCASSE: Standards of
Criticism. From The Philosophy of Art. j. STEPHEN C. PEPPER: Contextualistic ...
Pagina 592
CHAPTER VIII: CRITICISM Abercrombie, Lascelles, The Principles of Literary
Criticism, London, 1932. — , The Theory of Poetry, London, 1924. Aiken, Henry, "
A Pluralistic Analysis of Aesthetic Value," Philosophical Review, Vol. 59 (1950),
pp.
CHAPTER VIII: CRITICISM Abercrombie, Lascelles, The Principles of Literary
Criticism, London, 1932. — , The Theory of Poetry, London, 1924. Aiken, Henry, "
A Pluralistic Analysis of Aesthetic Value," Philosophical Review, Vol. 59 (1950),
pp.
Pagina 593
Kaplan, Abraham, "On the So-Called Crisis in Criticism," Journal of Aesthetics,
Vol. 8 (1948), pp. 42-48. Levin, Harry (editor), Perspectives of Criticism,
Cambridge, Mass., 1950. Lewis, C. I., An Analysis of Knowledge and Valuation,
LaSalle, ...
Kaplan, Abraham, "On the So-Called Crisis in Criticism," Journal of Aesthetics,
Vol. 8 (1948), pp. 42-48. Levin, Harry (editor), Perspectives of Criticism,
Cambridge, Mass., 1950. Lewis, C. I., An Analysis of Knowledge and Valuation,
LaSalle, ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |