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Pagina 466
CURT JOHN DUCASSE : Standards of Criticism . From The Philosophy of Art . 3 .
STEPHEN C . PEPPER : Contextualistic Criticism . From The Basis of Criticism in
the Arts . Introductory Note The esthetic attitude is appreciative ; the critical ...
CURT JOHN DUCASSE : Standards of Criticism . From The Philosophy of Art . 3 .
STEPHEN C . PEPPER : Contextualistic Criticism . From The Basis of Criticism in
the Arts . Introductory Note The esthetic attitude is appreciative ; the critical ...
Pagina 471
Criticism has therefore three aspects , the historical , the re - creative , and the
judicial . Each aspect relates itself to a corresponding aspect of the work of art
itself - historical criticism , to the work ' s historical character and orientation ; re ...
Criticism has therefore three aspects , the historical , the re - creative , and the
judicial . Each aspect relates itself to a corresponding aspect of the work of art
itself - historical criticism , to the work ' s historical character and orientation ; re ...
Pagina 593
Kaplan , Abraham , “ On the So - Called Crisis in Criticism , ” Journal of Aesthetics
, Vol . 8 ( 1948 ) , pp . 42 - 48 . Levin , Harry ( editor ) , Perspectives of Criticism ,
Cambridge , Mass . , 1950 . Lewis , C . I . , An Analysis of Knowledge and ...
Kaplan , Abraham , “ On the So - Called Crisis in Criticism , ” Journal of Aesthetics
, Vol . 8 ( 1948 ) , pp . 42 - 48 . Levin , Harry ( editor ) , Perspectives of Criticism ,
Cambridge , Mass . , 1950 . Lewis , C . I . , An Analysis of Knowledge and ...
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole