A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 466
... Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic Criticism . From The Basis of Criticism in the Arts ...
... Criticism . From The Arts and the Art of Criticism . 2. CURT JOHN DUCASSE : Standards of Criticism . From The Phi- losophy of Art . 3. STEPHEN C. PEPPER : Contextualistic Criticism . From The Basis of Criticism in the Arts ...
Pagina 592
... Criticism and Beauty , Oxford , 1910 . Bartlett , Ethel M. , Types of Aesthetic Judgment , London , 1937 . Blackmur , R. P. , and others , Lectures in Criticism , New York , 1949 . Boas , George , A Primer for Critics , Baltimore , 1937 ...
... Criticism and Beauty , Oxford , 1910 . Bartlett , Ethel M. , Types of Aesthetic Judgment , London , 1937 . Blackmur , R. P. , and others , Lectures in Criticism , New York , 1949 . Boas , George , A Primer for Critics , Baltimore , 1937 ...
Pagina 593
... Criticism , " Philosophical Review , Vol . 55 ( 1946 ) , pp . 611-633 . Pepper , Stephen C. , The Basis of Criticism in the Arts , Cam- bridge , Mass . , 1945 . Ransom , John Crowe ( editor ) , The Kenyon Critics , Cleveland , 1951 ...
... Criticism , " Philosophical Review , Vol . 55 ( 1946 ) , pp . 611-633 . Pepper , Stephen C. , The Basis of Criticism in the Arts , Cam- bridge , Mass . , 1945 . Ransom , John Crowe ( editor ) , The Kenyon Critics , Cleveland , 1951 ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words