A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 134
... daydreams . I believe that the greater number of human beings create phantasies at times as long as they live . This ... daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a ...
... daydreams . I believe that the greater number of human beings create phantasies at times as long as they live . This ... daydreams and conceals them from other people ; he cherishes them as his most intimate possessions and as a ...
Pagina 138
... daydreams are - those phantasies with which we are all so familiar . So much for daydreaming ; now for the poet ! Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations with ...
... daydreams are - those phantasies with which we are all so familiar . So much for daydreaming ; now for the poet ! Shall we dare really to compare an imaginative writer with " one who dreams in broad daylight , " and his creations with ...
Pagina 142
... daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is his innermost secret ; the essential ars poetica lies in the technique by which our feeling of repulsion is overcome , and ...
... daydreams , we experience great pleasure arising probably from many sources . How the writer accomplishes this is his innermost secret ; the essential ars poetica lies in the technique by which our feeling of repulsion is overcome , and ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words