A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 356
... described , but in a child's song by Christina Rossetti about a mere crown of wind - flowers , and in tragedies like Lear , where the sun seems to have set for ever . They hear this spirit murmuring its undertone through the Aeneid ...
... described , but in a child's song by Christina Rossetti about a mere crown of wind - flowers , and in tragedies like Lear , where the sun seems to have set for ever . They hear this spirit murmuring its undertone through the Aeneid ...
Pagina 383
... described by Theodor Lipps ( 1851-1914 ) , empathy con- sists essentially in this : that we imaginatively identify our- selves with an object by reading our feelings and vital responses into it , these feelings and responses being ...
... described by Theodor Lipps ( 1851-1914 ) , empathy con- sists essentially in this : that we imaginatively identify our- selves with an object by reading our feelings and vital responses into it , these feelings and responses being ...
Pagina 404
... described as " objective . " We speak of “ ob- jective " artists as Shakespeare or Velasquez , of " objective " works or art forms as Homer's Iliad or the drama . It is a term constantly occurring in discussions and criticisms , though ...
... described as " objective . " We speak of “ ob- jective " artists as Shakespeare or Velasquez , of " objective " works or art forms as Homer's Iliad or the drama . It is a term constantly occurring in discussions and criticisms , though ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words