A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 127
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
... desire neces- sarily involves pain or unpleasure , and the appeasement of desire involves pleasure ; these are , in a sense , phases of voli- tion . This is the position of SIGMUND FREUD ( 1856-1939 ) , whose theory might be called ...
Pagina 136
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
... desire , while a young man has to learn to suppress the overweening self - regard he acquires in the indulgent ... desire . From there it wanders back to the memory of an early experience , generally belonging to infancy , in which this ...
Pagina 178
... desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art the more that remold- ing is comprehensive and true to the nature of reality , using as its material ...
... desire it remolds external reality nearer to the heart's desire . Art becomes more socially and biologically valuable and greater art the more that remold- ing is comprehensive and true to the nature of reality , using as its material ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words