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Pagina 127
Desire and the Unconscious 1. SIGMUND FREUD : The Relation of the Poet to
Daydreaming . From Collected Papers ( Translated by I. F. Grant Duff ) . 2.
HERBERT READ : Art and the Unconscious . From Art and Society . 3.
CHRISTOPHER ...
Desire and the Unconscious 1. SIGMUND FREUD : The Relation of the Poet to
Daydreaming . From Collected Papers ( Translated by I. F. Grant Duff ) . 2.
HERBERT READ : Art and the Unconscious . From Art and Society . 3.
CHRISTOPHER ...
Pagina 136
... in young men egoistic and ambitious wishes assert themselves plainly enough
alongside their erotic desires . But we ... indeed , credited with only a minimum of
erotic desire , while a young man has to learn to suppress the overweening self ...
... in young men egoistic and ambitious wishes assert themselves plainly enough
alongside their erotic desires . But we ... indeed , credited with only a minimum of
erotic desire , while a young man has to learn to suppress the overweening self ...
Pagina 178
It remolds external reality nearer to the likeness of the genotype's instincts , but
since the instinctive genotype is nothing but an unconscious and dynamic desire
it remolds external reality nearer to the heart's desire . Art becomes more socially
...
It remolds external reality nearer to the likeness of the genotype's instincts , but
since the instinctive genotype is nothing but an unconscious and dynamic desire
it remolds external reality nearer to the heart's desire . Art becomes more socially
...
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abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole