A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina xxix
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the present volume , recog- nizes this distinction when he declares : ... The presen- tation of value is not to be confused with making ...
... direct imaginative enactment of value - experience . Charles Morris , in his essay included in the present volume , recog- nizes this distinction when he declares : ... The presen- tation of value is not to be confused with making ...
Pagina 148
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
... direct references to the esthetic problem , some of his observations are suggestive . As formulated in his New Introductory Lectures , we have now to regard the individual as being divided into three levels or degrees of consciousness ...
Pagina 198
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
... direct effect certain associations . If the direct effect were absent , and the object in itself uninteresting , the circumstances would be immaterial . Molière's Misanthrope says to the court poet who commends his sonnet as written in ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words