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Pagina 104
Old Poetic availed itself above all of the concept of unity , in order to express this distinction between the intuition and imagining , insisting that whatever the artistic work , it should be simplex et unum ; or of the allied concept ...
Old Poetic availed itself above all of the concept of unity , in order to express this distinction between the intuition and imagining , insisting that whatever the artistic work , it should be simplex et unum ; or of the allied concept ...
Pagina 200
Contrast Between Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction ...
Contrast Between Moral and Esthetic Values The relation between esthetic and moral judgments , between the spheres of the beautiful and the good , is close , but the distinction between them is important . One factor of this distinction ...
Pagina 563
... attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to ...
... attempts to pervert the machine process in the interests of caste and pecuniary distinction . In money - ridden societies , where men play with poker chips instead of with economic and esthetic realities , every attempt is made to ...
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Parole e frasi comuni
abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |