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Risultati 1-3 di 33
Pagina 4
As distinguished from pure knowing , art is not to be confused with science or
philosophy , or even with the " intuition ” of Croce and Bergson ( i . e . , the
knowing of what is individual ) . As distinguished from practice , art is directed
toward the ...
As distinguished from pure knowing , art is not to be confused with science or
philosophy , or even with the " intuition ” of Croce and Bergson ( i . e . , the
knowing of what is individual ) . As distinguished from practice , art is directed
toward the ...
Pagina 252
... nature of sound in music as distinguished from its one - dimensional extension
in time , is greater than the relative emphasis on color as such as distinguished
from spatial design in painting 252 SENSUOUS AND EXPRESSIVE MATERIALS.
... nature of sound in music as distinguished from its one - dimensional extension
in time , is greater than the relative emphasis on color as such as distinguished
from spatial design in painting 252 SENSUOUS AND EXPRESSIVE MATERIALS.
Pagina 475
other of the great critical movements of a given culture . These movements ,
distinguished from one another by a major emphasis upon some aspect of the
critical enterprise , may persist for centuries , but they acquire special importance
during ...
other of the great critical movements of a given culture . These movements ,
distinguished from one another by a major emphasis upon some aspect of the
critical enterprise , may persist for centuries , but they acquire special importance
during ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |