Dall'interno del libro
Risultati 1-3 di 49
Pagina 125
To penetrate too far into the personality, to couple the outer effect with causes
that are too deep- seated, would mean to endanger and in the end to sacrifice all
that was laughable in the effect. In order that we may be tempted to laugh at it, we
...
To penetrate too far into the personality, to couple the outer effect with causes
that are too deep- seated, would mean to endanger and in the end to sacrifice all
that was laughable in the effect. In order that we may be tempted to laugh at it, we
...
Pagina 198
The discovery of its date or of its author may be otherwise interesting; it only
remotely affects our esthetic appreciation by adding to the direct effect certain
associations. If the direct effect were absent, and the object in itself uninteresting,
the ...
The discovery of its date or of its author may be otherwise interesting; it only
remotely affects our esthetic appreciation by adding to the direct effect certain
associations. If the direct effect were absent, and the object in itself uninteresting,
the ...
Pagina 277
Now, to approach the matter from the other direction, I cannot think that when
Gurney and Hanslick say that music has "no meaning" they intend to say that it
should have no meaning in the sense of no evoked effects, that its effect upon the
...
Now, to approach the matter from the other direction, I cannot think that when
Gurney and Hanslick say that music has "no meaning" they intend to say that it
should have no meaning in the sense of no evoked effects, that its effect upon the
...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |