Dall'interno del libro
Risultati 1-3 di 68
Pagina 125
To penetrate too far into the personality , to couple the outer effect with causes
that are too deepseated , would mean to endanger and in the end to sacrifice all
that was laughable in the effect . In order that we may be tempted to laugh at it ,
we ...
To penetrate too far into the personality , to couple the outer effect with causes
that are too deepseated , would mean to endanger and in the end to sacrifice all
that was laughable in the effect . In order that we may be tempted to laugh at it ,
we ...
Pagina 198
If the direct effect were absent , , and the object in itself uninteresting , the
circumstances would be immaterial . Molière's Misanthrope says to the court poet
who commends his sonnet as written in a quarter of an hour , Voyons , monsieur ,
le ...
If the direct effect were absent , , and the object in itself uninteresting , the
circumstances would be immaterial . Molière's Misanthrope says to the court poet
who commends his sonnet as written in a quarter of an hour , Voyons , monsieur ,
le ...
Pagina 277
Now , to approach the matter from the other direction , I cannot think that when
Gurney and Hanslick say that music has “ no meaning " they intend to say that it
should have no meaning in the sense of no evoked effects , that its effect upon
the ...
Now , to approach the matter from the other direction , I cannot think that when
Gurney and Hanslick say that music has “ no meaning " they intend to say that it
should have no meaning in the sense of no evoked effects , that its effect upon
the ...
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Parole e frasi comuni
abstract action activity actual appears appreciation artist aspect associations attitude balance beauty become called cause character color complete connection consciousness course criticism definition describe desire direct discourse Distance distinction distinguished dream effect elements emotion esthetic example existence experience expression external fact feeling give given hand human ideas images imagination imitation important individual interest intuition judgments kind knowledge language less live look material matter means merely mind moral move nature never object organization painting particular patterns perception perhaps person physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason reference relation represented result scientific seems sense shape significant simply social sound speak theory things thought tion true truth understand unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |