A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 85
Pagina 256
... elements appear concretely ? That the answer is in the end a matter of definition must be plain . But good ... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in ...
... elements appear concretely ? That the answer is in the end a matter of definition must be plain . But good ... elements in it are elements of sensuous content intrinsically ordered , elements that are found by means of discrimination in ...
Pagina 357
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
... element in a work of art is necessary to its value , that it contains no elements that are not thus necessary , and that all that are needful are there . The beautiful object is organized all through , " baked all through like a cake ...
Pagina 361
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
... elements are alike , the directions of these elements are opposed , right and left . But contrast is never by itself esthetically satis- factory , for the contrasting elements must offset each other , they must balance . In color , the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words