A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 231
An Anthology Melvin Miller Rader. the embodiment of feeling , he opposes the tendency of Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist ...
An Anthology Melvin Miller Rader. the embodiment of feeling , he opposes the tendency of Benedetto Croce to minimize the esthetic importance of the sensuous medium and the physical objects of nature . Although Bosanquet is an idealist ...
Pagina 239
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
... embodiment , yet also the embodiment is neces- sary to feeling . To say that because beauty implies a mind , therefore it is an internal state , and BERNARD BOSANQUET 239.
Pagina 481
... embodiment in an object , but only the object it- self that the spectator contemplates , and wholly without reference to the question whether that object is a product of art or of nature . On the other hand , criticism of a work of art ...
... embodiment in an object , but only the object it- self that the spectator contemplates , and wholly without reference to the question whether that object is a product of art or of nature . On the other hand , criticism of a work of art ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words