A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 92
Pagina 180
... Emotion . From What Is Art ? ( Translated by Aylmer Maude ) . 2. GEORGE SANTAYANA : The Nature of Beauty . From The Sense of Beauty . 3. W. PEPPERELL MONTAGUE : Beauty ... Emotion and Pleasure Leo Tolstoy: Art as the Communication of Emotion.
... Emotion . From What Is Art ? ( Translated by Aylmer Maude ) . 2. GEORGE SANTAYANA : The Nature of Beauty . From The Sense of Beauty . 3. W. PEPPERELL MONTAGUE : Beauty ... Emotion and Pleasure Leo Tolstoy: Art as the Communication of Emotion.
Pagina 281
... emotions over again . It sounds as if we had a certain emotion in life which was then transferred bodily from life into the music , when actually the emotion evoked by the music is quite a different thing from the same ( general ) emotion ...
... emotions over again . It sounds as if we had a certain emotion in life which was then transferred bodily from life into the music , when actually the emotion evoked by the music is quite a different thing from the same ( general ) emotion ...
Pagina 317
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words