A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 61
... emotions aroused by means of sensations , he uses natural forms which , in themelves , are calculated to move our emotions , and he presents these in such a manner that the forms themselves generate in us emotional states , based upon ...
... emotions aroused by means of sensations , he uses natural forms which , in themelves , are calculated to move our emotions , and he presents these in such a manner that the forms themselves generate in us emotional states , based upon ...
Pagina 175
... emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but unorganized - a sudden in- explicable fit of ...
... emotion , it is organized emotion , an organized emotional attitude to a piece of external reality . Hence its value - and difficulty - as compared with other emotions , however strong , but unorganized - a sudden in- explicable fit of ...
Pagina 514
... emotional perception . You remember William James identified emo- tion with the fusion ( that was his own word ) of organic and kinesthetic sensations . There is no very good reason why he should not have included the external ...
... emotional perception . You remember William James identified emo- tion with the fusion ( that was his own word ) of organic and kinesthetic sensations . There is no very good reason why he should not have included the external ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words