A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 34
... empathy " we mean a mode of esthetic perception in which the spectator discovers elements of feeling in the work of ... empathy I have ever discovered is given by Eduard Spranger in Types of Men ( trans . Pigors , Halle , 1928 ) ...
... empathy " we mean a mode of esthetic perception in which the spectator discovers elements of feeling in the work of ... empathy I have ever discovered is given by Eduard Spranger in Types of Men ( trans . Pigors , Halle , 1928 ) ...
Pagina 384
... empathy is more characteristic of late Greco - Roman , Renaissance , and " naturalistic " Western art . Despite the antithesis between empathy and abstraction , Worringer finds the two esthetic processes alike in being modes of " self ...
... empathy is more characteristic of late Greco - Roman , Renaissance , and " naturalistic " Western art . Despite the antithesis between empathy and abstraction , Worringer finds the two esthetic processes alike in being modes of " self ...
Pagina 464
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
... Empathy really is . The first of these two main mis- interpretations is based upon the reflexive form of the Ger- man verb " sich einfühlen " ( to feel oneself into ) and it de- fines , or rather does not define , Empathy as a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words