A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 87
Pagina 317
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
... emotion . The objects that provoke this emotion we call works of art . All sensi- tive people agree that there is a peculiar emotion provoked by works of art . I do not mean , of course , that all works provoke the same emotion . On the ...
Pagina 318
... feeling for it . The objects that provoke esthetic emotion vary with each individual . Esthetic judgments are , as the saying goes , matters of taste ; and about tastes , as every one is proud to admit , there is no disputing . A good ...
... feeling for it . The objects that provoke esthetic emotion vary with each individual . Esthetic judgments are , as the saying goes , matters of taste ; and about tastes , as every one is proud to admit , there is no disputing . A good ...
Pagina 327
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words