A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 88
Pagina 86
... experience , in its pregnant sense , and esthetic experience . The former has esthetic quality ; otherwise its materials would not be rounded out into a single coherent experience . It is not possible to divide in a vital experience the ...
... experience , in its pregnant sense , and esthetic experience . The former has esthetic quality ; otherwise its materials would not be rounded out into a single coherent experience . It is not possible to divide in a vital experience the ...
Pagina 87
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experience is an integrated complete experience ...
... esthetic experience , characteristics that are subdued in other experiences are dominant ; those that are subordinate are controlling - namely , the characteristics in virtue of which the experience is an integrated complete experience ...
Pagina 458
... esthetic experience . . . is not final . These two poles are only different expressions of one com- mon need , which reveals itself to us as the deepest and ultimate essence of all esthetic experience : that is the need of self ...
... esthetic experience . . . is not final . These two poles are only different expressions of one com- mon need , which reveals itself to us as the deepest and ultimate essence of all esthetic experience : that is the need of self ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
24 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words