A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 84
Pagina 209
... value of a principle is one thing , and its intrinsic or esthetic value is another , and that the latter can be justly counted only as an item in its favor to be weighed against possible external disadvantages . Whenever this comparison ...
... value of a principle is one thing , and its intrinsic or esthetic value is another , and that the latter can be justly counted only as an item in its favor to be weighed against possible external disadvantages . Whenever this comparison ...
Pagina 507
... esthetic values . Accordingly , I suggest for the contex- tualistic definition of the esthetic field : voluntary vivid ... value . Whatever pleasure it contains is incidental , merely a con- tribution to the situation from an organism ...
... esthetic values . Accordingly , I suggest for the contex- tualistic definition of the esthetic field : voluntary vivid ... value . Whatever pleasure it contains is incidental , merely a con- tribution to the situation from an organism ...
Pagina 516
... esthetic purposes is a peculiar contribution of contex- tualism . It is remarkable how few contextualistic writers on ... esthetic value is a matter of vividness of quality , there is virtue in integration as a means of increasing the ...
... esthetic purposes is a peculiar contribution of contex- tualism . It is remarkable how few contextualistic writers on ... esthetic value is a matter of vividness of quality , there is virtue in integration as a means of increasing the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words