A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 99
... estheticians also ; who very readily effected a transaction with it , permitting it to provide pleasures that were not moral , provided they were not openly dishonest , or recommending it to employ to a good end the dominion that ...
... estheticians also ; who very readily effected a transaction with it , permitting it to provide pleasures that were not moral , provided they were not openly dishonest , or recommending it to employ to a good end the dominion that ...
Pagina 225
... estheticians . If the masters of painting and sculpture would do it also and abandon their fixation on beauty either of form or of content as the sole thing that was worth their while , they could make of their galleries macrocosms of ...
... estheticians . If the masters of painting and sculpture would do it also and abandon their fixation on beauty either of form or of content as the sole thing that was worth their while , they could make of their galleries macrocosms of ...
Pagina 231
... estheticians , and it has had an extraordinary cleansing and renovating effect upon the arts . For example , the work of an architect such as Frank Lloyd Wright , a designer such as Moholy Nagy , a sculptor such as Henry Moore , or a ...
... estheticians , and it has had an extraordinary cleansing and renovating effect upon the arts . For example , the work of an architect such as Frank Lloyd Wright , a designer such as Moholy Nagy , a sculptor such as Henry Moore , or a ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words