A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 27
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
... example , or the ammonite - obey absolutely uniform mathematical laws , due to a varying ratio in the rate of growth of the outer as compared with the inner surface of what would be , if the rates of growth were uniform , a tubular or ...
Pagina 153
... example , the evidence given by Dr. Selig- mann : " Although art , and especially decorative art , plays a much larger part in the life of the majority of Papuo - Melanesians than it does among ourselves , certain motifs are ...
... example , the evidence given by Dr. Selig- mann : " Although art , and especially decorative art , plays a much larger part in the life of the majority of Papuo - Melanesians than it does among ourselves , certain motifs are ...
Pagina 375
... examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . " Bach was one of the most con- ventional composers who ever existed . He accepted forms and formulas ...
... examples of artists of this sort from the Greek poets to Fielding and Coleridge and Keats . In music , Bach is an obvious example . " Bach was one of the most con- ventional composers who ever existed . He accepted forms and formulas ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words