A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
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Pagina 59
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
... existence that we become intensely sensitive to changes in its intensity . Color is the only one of our elements which is not of critical or universal importance to life , and its emotional effect is neither so deep nor so clearly ...
Pagina 87
... existence of intervals , periods in which one phase is ceasing and the other is inchoate and preparing . William James aptly compared the course of a conscious experience to the alternate flights and perchings of a bird . The flights ...
... existence of intervals , periods in which one phase is ceasing and the other is inchoate and preparing . William James aptly compared the course of a conscious experience to the alternate flights and perchings of a bird . The flights ...
Pagina 458
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
... existence in general , from the appar- ent arbitrariness of organic existence . Life as such is felt as the disturber of esthetic enjoyment . That even the need for empathy , as the starting - point of esthetic experience , represents ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words