A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 62
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
... experience with emotions and ideas so that conscious intent emerges . Oftentimes , however , the experience had is inchoate . Things are experienced but not in such a way that they are composed into an experience . There is distraction ...
Pagina 73
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
... experience comes to a close . What is true of this simple instance is true , as to form , of every experience . The creature operating may be a thinker in his study and the environment with which he interacts may consist of ideas ...
Pagina 280
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
... experience is unique and at best only approximately describable , each musical experience is , if we may use the expression , even more unique - for here we have not only the rich individuality of the life - experiences but the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words