A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina xix
... expression is the language of appreciations . Art is the expression of values , both individual and social . II The Fourfold Approach to Art In the light of the foregoing definition of art , we can characterize art in terms of four ...
... expression is the language of appreciations . Art is the expression of values , both individual and social . II The Fourfold Approach to Art In the light of the foregoing definition of art , we can characterize art in terms of four ...
Pagina 91
... expression of " feeling . " " Feeling " does not mean merely emotion , but rather any subjective mood , including volitional attitudes . " We do not ask the artist for a philosophical system nor for a relation of facts , " Croce ...
... expression of " feeling . " " Feeling " does not mean merely emotion , but rather any subjective mood , including volitional attitudes . " We do not ask the artist for a philosophical system nor for a relation of facts , " Croce ...
Pagina 109
... expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive ...
... expression is not intuition or representation , but sensation and mere natural fact . The spirit only intuits in making , forming , expressing . He who separates intuition from expression never succeeds in reuniting them . Intuitive ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words