Dall'interno del libro
Risultati 1-3 di 91
Pagina xix
Although art is obviously a mode of self-expression, it also is social. Just as there
is a community of scientists engaged in the cooperative search for facts and
using the language of descriptions as their instrument, so there is a community of
...
Although art is obviously a mode of self-expression, it also is social. Just as there
is a community of scientists engaged in the cooperative search for facts and
using the language of descriptions as their instrument, so there is a community of
...
Pagina 91
Art is complete only when the spirit works upon the formless materials of
experience, converting them into expressive and harmonious images. What gives
unity to this imaginative vision is a lyrical content, the pervasive expression of "
feeling.
Art is complete only when the spirit works upon the formless materials of
experience, converting them into expressive and harmonious images. What gives
unity to this imaginative vision is a lyrical content, the pervasive expression of "
feeling.
Pagina 109
The Breviary of Esthetic (19 13; translated 191 5) II Identity of Intuition and
Expression . . . There is a sure method of distinguishing true intuition, true
representation, from that which is inferior to it: the spiritual fact from the
mechanical, passive, ...
The Breviary of Esthetic (19 13; translated 191 5) II Identity of Intuition and
Expression . . . There is a sure method of distinguishing true intuition, true
representation, from that which is inferior to it: the spiritual fact from the
mechanical, passive, ...
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |