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Pagina 172
The answer is , because poetry is an adaptation to external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality ...
The answer is , because poetry is an adaptation to external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality ...
Pagina 174
1 > It is impossible to have affects in poetry without their adherence to symbols of external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for different subjects to be linked except ...
1 > It is impossible to have affects in poetry without their adherence to symbols of external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for different subjects to be linked except ...
Pagina 175
In this way the emotional content does not float about fuidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is ...
In this way the emotional content does not float about fuidly in the mind ; it is firmly attached , by a hundred interweaving strands , to the manifest content - a piece of external reality . A poem's content is not just emotion , it is ...
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abstract action activity actual affective appear appreciation artist aspect associations attitude beauty become called character color common complete connection consciousness course created criticism definition desire direct Distance distinction distinguished dream elements emotional esthetic example existence experience expression external fact feeling function give given hand human ideas images imaginative imitation important individual instinctive interest intuition kind knowledge language less live look material matter means merely mind moral move movement nature never novel object organization original ourselves painting particular perception perhaps person phantasies physical picture play pleasure poem poet poetry possible practical present produce pure question reality reason relation represented result sense shape significance simple social soul sound speak symbols theory things thought tion true truth turn unity universal whole