A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 158
... world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations , derived from the world of external reality , by means of inversion and ...
... world of external reality . It breaks the words up into lines of arbitrary length , cutting across their logical construction . It breaks down their associations , derived from the world of external reality , by means of inversion and ...
Pagina 172
... external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality shared socially . It lives in the same language as ...
... external reality . It is an emotional attitude towards the world . It is made of language and language was created to signify otherness , to indicate portions of objective reality shared socially . It lives in the same language as ...
Pagina 174
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
... external reality , for poetry's affects ( in so far as they are poetic ) are social , and it is impossible for ... external reality and yet music is an art and has a social content . Exactly- because in music the symbols have ceased to ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words