A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 81
Pagina xiv
... fact in the whole field of esthetics . Of course , there is some disagreement about what side or aspect of the human ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
... fact in the whole field of esthetics . Of course , there is some disagreement about what side or aspect of the human ... fact if a number of people , upon care- fully measuring X , find it to be square . We can be most sure that ...
Pagina 283
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
... fact , in the supposed fact ; it has attached its emotion to the fact , and now the fact is failing it . But for poetry the idea is everything . - MATTHEW ARNOLD . I The Neutralization of Nature The poets are failing us , or we them ...
Pagina 492
... fact that it resembles in a stated respect certain others which as a bare matter of fact also do displease me . This character which displeases me and many persons , may , however , please others . And , what is more directly to the ...
... fact that it resembles in a stated respect certain others which as a bare matter of fact also do displease me . This character which displeases me and many persons , may , however , please others . And , what is more directly to the ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words