Dall'interno del libro
Risultati 1-3 di 86
Pagina xiv
... estheticians, ancient and modern, to illustrate the recognition in all ages that art
is the expression of mood, feeling, or spirit.5 That art is expressive rather than
merely descriptive is as well established as any fact in the whole field of esthetics
.
... estheticians, ancient and modern, to illustrate the recognition in all ages that art
is the expression of mood, feeling, or spirit.5 That art is expressive rather than
merely descriptive is as well established as any fact in the whole field of esthetics
.
Pagina 283
Our religion has materialised itself in the fact, in the supposed fact; it has attached
its emotion to the fact, and now the fact is failing it. But for poetry the idea is every-
thins;.— Matthew Arnold. I The Neutralization of Nature The poets are failing ...
Our religion has materialised itself in the fact, in the supposed fact; it has attached
its emotion to the fact, and now the fact is failing it. But for poetry the idea is every-
thins;.— Matthew Arnold. I The Neutralization of Nature The poets are failing ...
Pagina 492
Gravitation is but the name we give to the general fact that unsupported objects
do fall, and at a certain rate; but it is not a reason, or cause, or proof of that fact.
To say that something always happens, is not to give any reason why it ever does
.
Gravitation is but the name we give to the general fact that unsupported objects
do fall, and at a certain rate; but it is not a reason, or cause, or proof of that fact.
To say that something always happens, is not to give any reason why it ever does
.
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |