A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
Risultati 1-3 di 83
Pagina 187
... feeling of admiration , devotion , fear , respect or love to certain objects , persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love to the same objects , persons , and ...
... feeling of admiration , devotion , fear , respect or love to certain objects , persons , or phenomena , and others are infected by the same feelings of admiration , devotion , fear , respect , or love to the same objects , persons , and ...
Pagina 445
... feeling of freedom . And this is a feeling of pleasure . The feeling of pleasure is always a feeling of free self - exercise . It is the immediately expe- rienced tone or coloring of the feeling which arises when the activity proceeds ...
... feeling of freedom . And this is a feeling of pleasure . The feeling of pleasure is always a feeling of free self - exercise . It is the immediately expe- rienced tone or coloring of the feeling which arises when the activity proceeds ...
Pagina 481
... feeling has been obtained , the practical attitude is then allowed to replace the contempla- tive . These various standards of criticism will now be exam- ined in turn . $ 2 Success of the attempt at self - expression , as standard ...
... feeling has been obtained , the practical attitude is then allowed to replace the contempla- tive . These various standards of criticism will now be exam- ined in turn . $ 2 Success of the attempt at self - expression , as standard ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words