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Pagina 187
The activity of art is based on the fact that a man receiving through his sense of
hearing or sight another man's expression of feeling, is capable of experiencing
the emotion which moved the man who expressed it. To take the simplest ...
The activity of art is based on the fact that a man receiving through his sense of
hearing or sight another man's expression of feeling, is capable of experiencing
the emotion which moved the man who expressed it. To take the simplest ...
Pagina 445
"If I can give myself up to the suggested activity without inner opposition, 1 have a
feeling of freedom. And this is a feeling of pleasure. The feeling of pleasure is
always a feeling of free self-exercise. It is the immediately experienced tone or ...
"If I can give myself up to the suggested activity without inner opposition, 1 have a
feeling of freedom. And this is a feeling of pleasure. The feeling of pleasure is
always a feeling of free self-exercise. It is the immediately experienced tone or ...
Pagina 481
tained in the contemplation of the object will tend to discharge itself, if, when that
feeling has been obtained, the practical attitude is then allowed to replace the
contemplative. These various standards of criticism will now be examined in turn.
tained in the contemplation of the object will tend to discharge itself, if, when that
feeling has been obtained, the practical attitude is then allowed to replace the
contemplative. These various standards of criticism will now be examined in turn.
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Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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Parole e frasi comuni
abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become Benedetto Croce called character CHRISTOPHER CAUDWELL Clive Bell color concrete connection consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A modern book of esthetics: an anthology |
| Curatore | Melvin Miller Rader |
| Edizione | riveduta |
| Editore | Holt, 1952 |
| Lunghezza | 602 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |