A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, 1952 - 602 pagine |
Dall'interno del libro
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Pagina 298
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
... given with regard to the prob- able consequences of recent progress in psychology , not only for religion but for the whole fabric of our traditional beliefs about ourselves . In many quarters there is a tend- ency to suppose that the ...
Pagina 490
... given object beautiful or the reverse . All that was said above concerning esthetic connoisseur- ship , i.e. , concerning superior capacity for experiencing difference in esthetic feeling in the presence of slight dif- ferences in the ...
... given object beautiful or the reverse . All that was said above concerning esthetic connoisseur- ship , i.e. , concerning superior capacity for experiencing difference in esthetic feeling in the presence of slight dif- ferences in the ...
Pagina 494
... given rule predicts this accurately for a given person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule ...
... given rule predicts this accurately for a given person , that person's actual feeling of esthetic pleasure or displeasure then , proves that that rule was a valid one so far as he is concerned . That is , the feeling judges the rule ...
Sommario
Having an Experience From Art as | 62 |
Intuition | 89 |
Desire and the Unconscious | 127 |
Copyright | |
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abstract activity ANDREW CECIL BRADLEY appears appreciation artist aspect attitude beauty become BENEDETTO CROCE called character CHRISTOPHER CAUDWELL CLIVE BELL color concrete consciousness contemplation contextualist criticism daydreams Distance distinction distinguished dream effect elements empathy esthetic emotion esthetic experience existence expression external reality fact feeling Freud genotype give Gurney Hanslick HERBERT READ human I. A. RICHARDS ideas images imagination imitation impulse individual instinctive interest intrinsic intuition isolated JOHN HOSPERS judgments kind language latent content live manifest content material means Melvin Rader ment merely mind moral nature object objectified organization ourselves painter painting perception phantasies philosophy physical picture pitch play pleasure poem poet poetic poetry practical present principle produce psychological pure relation rhythm rience scientific sensation sense sensuous social soul sound spatial super-ego theory things tion truth type patterns unity variation Vernon Lee whole WILHELM WORRINGER words